[Socrates in the Vatican Museum - Wikipedia (German)]
The man called Hermann Mussert (a surname with a notorious connotation as this is also the name of the leader of the National Socialist Movement in Holland before and during WWII, who was executed for high treason) is in his fifties; he used to be a teacher of Greek and Latin, until he lost his job, after which he became a writer of popular travel guides. He is not an attractive man - not for nothing was his nickname as a teacher "Socrates" (the Greek philosopher was reputedly one of the ugliest men in history) - and a typical intellectual who only lives for his books and study - of course he is unmarried and lives alone. He is obsessed by Greek and Roman literature, and especially by the mythology as described in the Metamorphoses of Ovid.
But twenty years ago he was harshly pulled into ordinary life (the life of other mortals) when a rather forceful and outspoken female colleague started an affair with him - to take revenge on her husband who was having his own affair with one of his pupils. The affair with the female colleague, a biology teacher called Maria Zeinstra, started in the same hotel room in Lisbon where he now finds himself, and the next day he spends his time walking through Lisbon, bringing back memories of his life and especially of what happened twenty years ago. The pangs and pleasures of memory bring him to the fundamental question of his identity, and what he has done with his life. They are also filled with an inexpressible melancholy.
And then, in the second half of the novella, the scene suddenly changes, as the man takes passage on a mysterious ship that sails west, and finally will reach South-America where it enters the mouth of the Amazon. There is only a handful of other passengers, who seem to be in the same circumstances, plus a woman, a sort of guide. They are from different walks of life and only thrown together by accident, as travelers usually are. Gradually we understand that they are all dead, shades as in classical mythology, on their way to Hades. When the ship enters the mouth of the Amazon, the passengers one by one are invited to tell their life story, after which they have to follow the guide and disappear. They all tell how they died. The teacher is the last one to tell his story and he starts with the words that he will tell "the following story" - at which point the novella ends, for this is the story we have just been reading.
As the author has indicated, the two parts of the story represent the first few moments during and after dying: at first, one sees the most important scenes of one's life flashing before one's eyes; next, one leaves the earth. Nooteboom is not religious in the traditional sense, so he doesn't conjure up a heaven or paradise - he uses images from classical Greek and Roman mythology, as that is the specialty of the teacher - and mixes these with the contemporary insight that death is the end: in life we are a collection of a particular set of atoms, after death these atoms will be scattered and their function will change so that even they will have no memory of the body they once formed.
The scenes that appear before his eyes the moment the teacher in the story dies, have been the crucial ones in his life, because this was a time that he was untrue to himself. This truth is buried deep in the story and never stated in so many words. For the relation with the biology teacher was not a tale of love: Maria was an overbearing, assertive and - as Dutch can be - aggressively outspoken person and just swept the shy classical language teacher, who had no experience in love or life, from his feet. She didn't love him, and the way she spoke to him shows that she in fact looked down on him. She only used him for taking revenge on her philandering husband. That husband is a teacher at the same school and has an affair with a beautiful pupil, Lisa d'India. She is the best pupil also in Latin and Greek, and much admired by our protagonist. He is even secretly in love with her, perhaps without being wholly aware of that.
As events develop, Lisa sends him a letter, and he receives it while the biology teacher is standing next to him. Maria Zeinstra demands that he throws the letter away, unseen, or else she will stop loving him. The meek classical teacher obeys, and so throws away his own chance of happiness - this was the crucial moment in which he failed Lisa d'India and himself, something which he only now realizes as it had been buried deeply in his consciousness. That same day, he gets involved in a fist fight with Maria's husband, after which both teachers are sacked; and Lisa d'India dies in a car accident.
Finally Hermann Mussert discovers who he is, and the answer is not a pleasant one.
First published in Dutch with the title Het volgende verhaal in 1991. The English translation was made by Ina Rilke and published in 1994. A Vintage paperback edition has followed in 2014 (with a foreword by David Mitchell). The German edition was translated by Helga van Beuningen and published by Suhrkamp in 1991; this led to a breakthrough for Nooteboom in Germany, where Die folgende Geschichte was not only highly praised by critics (as Marcel Reich-Ranicki of Das Literarische Quartett) but also led to highly successful sales (seven printings in only the first three months).Best Novellas
Banville: The Newton Letter Bioy Casares: The Invention of Morel Bulgakov: A Dog's Heart Byatt: Morpho Eugenia Carr: A Month in the Country Conrad: Heart of Darkness Chekhov: The Duel Conrad: Heart of Darkness Elsschot: Cheese Flaubert: A Simple Soul Gotthelf: The Black Spider Kafka: The Metamorphosis Maupassant: Boule de Suif McEwan: The Comfort of Strangers McEwan: On Chesil Beach Nabokov: The Eye Nerval: Sylvie Nescio: Amsterdam Stories Nooteboom: The Following Story Roth: The Legend of the Holy Drinker Schnitzler: Dream Story Storm: The Rider on the White Horse Turgenev: Clara Militch Turgenev: Torrents of Spring Voltaire: Candide Wells: The Island of Dr. Moreau